Announcing POISON DANCE, my self publishing debut. And please help me choose a cover!

Hi everyone! For those of you who follow my blog and twitter feed, you know that I've long been interested in both traditional and self-publishing models. So I'm happy to announce that I will soon be releasing my first self published work: a novelette titled POISON DANCE.

Here's the blurb:


James is skilled, efficient, and deadly, a hired blade navigating the shifting alliances of a deteriorating Assassin’s Guild.  Then he meets Thalia, an alluring but troubled dancing girl who offers him a way out–if he’ll help her kill a powerful nobleman.  With the Guild falling apart, it just might be worth the risk. But when you live, breathe, and love in a world that’s forever flirting with death, the slightest misstep can be poison.


POISON DANCE takes place about six years before the events of MIDNIGHT THIEF (my novel coming out next year with Disney-Hyperion) and the two works share several characters. Because of its subject matter, POISON DANCE is darker and grittier than MIDNIGHT THIEF, and I personally would classify it as adult fantasy, though some people might still slot it into YA.

I'm hoping to release it in a month or two, and after that, I’ll have lots of observations about my self-publishing experience that I'm looking forward to share. If you have any specific questions, let me know, and I'll do my best to address them.

In the meantime, I would love to have your help choosing a cover. I ran a cover design contest on 99 designs and have narrowed down the entries to six finalists. You can weigh in on your favorite designs using this poll. Also, if you are able to sign your name or some other identifying marker on your survey responses, I find that more helpful than an anonymous response. I am the only one who can see comments submitted with the results, though the average rating for each picture is viewable to everyone.

Anyways, thanks everyone, and I'll be back soon with an actual blog entry!


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JK Rowling, The Cuckoo's Calling, and Regression to the Mean

You've probably heard by now that JK Rowling published a crime novel in April 2013 under the secret pen name Robert Galbraith. There's been a huge amount of buzz about the novel, titled The Cuckoo’s Calling, since the news was broken. The press has focused mainly on two details. First, the novel came out to a very good critical reception, including a starred review from Publisher's Weekly. And second, the book sold quite poorly in its first three months -- 1500 copies in Britain. (Since Galbraith’s real identity was revealed, of course, the book has rocketed up the bestseller charts.)  (Edit:  Shad has pointed out a source saying that the book sold  comparably to similar debuts, and sales numbers were actually similar to Harry Potter in its first few months.  So "poorly" might be too strong of a word.)

I was really excited to hear the news. I loved the Harry Potter series. Though I didn't read The Casual Vacancy since it seemed too literary for my tastes, The Cuckoo’s Calling is definitely something I'll be adding to my to-read list.

I've also enjoyed reading online reactions as the news broke. In some ways, they’ve been a litmus test of peoples’ underlying views on the publishing industry. Some people, like author Nathan Bransford, have written about how the book's poor sales illustrate the fleeting nature of publishing success. Others commentators took this as more evidence that publishers no longer have anything to offer writers.

And what’s my reaction to the Rowling story? It’s to recall a statistical principle known as regression to the mean.

Barry Eisler on Discounting His Entire Backlist to 99 Cents


Hi everyone!  Today I’m happy to welcome Barry Eisler back to the blog.  If you’ve been paying any attention at all to publishing news lately, you already know about his fascinating publishing journey.  Barry started out traditionally published with his bestselling John Rain series.  Then, in 2011 he turned down a $500,000 deal from St. Martin’s press --  first to self publish, but then he then accepted a deal to publish the series with Amazon.  Since then, he’s continued be a leader and innovator in the digital transition.


About a week ago, Barry ran a special promotion where he offered his entire backlist for 99 cents.  As a fan, I thought it was awesome (and may or may not have dropped everything right then and there to run to Amazon).  As a writer,  I thought it was a really interesting strategy, and Barry graciously agreed to chat about the goals behind that promotion and how it went for him.


Great to have you back, Barry!  The last time you visited the blog, you’d just released The Detachment with Amazon Publishing.  Since then, quite a lot has happened.  Would you mind quickly catching us up?


Hi Livia, good to chat with you again and thanks for the invitation.  Let’s see, catching up... well, The Detachment earned out in less than two months, which was nice, and has sold a healthy six-figures worth of units since then.  I managed to get the rights reverted to my entire Putnam and Ballantine backlists, and have since repackaged and self-published those eight titles.  I’ve published a short story and a novella with Thomas & Mercer -- The Khmer Kill and London Twist -- and they’ve both been doing well.  And I’ll be turning in the new novel, a Rain prequel, this summer, to be published by T&M later this year.


So this past weekend, your entire backlist was available for 99 cents.  Can you tell us about the goals and reasoning behind this promotion?

Don't Let Your Words Obstruct Your Meaning

"You probably know that understanding your audience is essential if you want a document to work. But this means understanding not just their level of knowledge of the subject at hand, but also their history, their cultural references and associations and their past experiences, argues Livia Blackburne."

I guest posted at writing-skills.com  this week on the psychological idea of schemas and how writers can use them to inform their word choices.  Check out my  post here.

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Beyond the Sandwich Method: What I Learned About Critiquing From My Editors



A while ago, before Midnight Thief went out on submission, I had tea with a veteran writer friend. Amongst discussion of all things publishing, the topic turned to editing. My friend mentioned that early on in his career, he wouldn't have been able to judge good editorial advice. It was only after writing several books and growing in his craft that he had the experience to do so.

I distinctly remember wondering what he meant by good editing and whether it really was that hard to identify. After all, I’d put my novel through several rounds with beta readers and felt like I had a good instinct for sorting through feedback.

Fast forward ten months later, when I got my first editorial letter from Abby Ranger. That was when I realized that I’d had NO idea what a good editor was capable of. The difference between the manuscript I submitted and my story now is the difference between a pencil sketch and a full-fledged oil painting.

And not only have I improved my book, I've also gleaned tips on how to be a better critique partner. Here are some of the things I've learned, both from my first editor Abby and my current editor Rotem.

Operation Chest Hair Part II: Grief

Btoteva fitness

Spoiler warning: Major spoilers for The Sword Edged Blonde by Alex Bledsoe, The Rise of Endymion by Dan Simmons, Rain Fall by Barry Eisler, Lioness Rampant by Tamora Pierce, Plain Kate by Erin Bow, and The Girl of Fire and Thorns by Rae Carson.

Wow, time flies. It's been over six months since the last installment of Operation Chest Hair.

Operation Chest Hair started when I had a story idea with a male point-of-view (POV) character. And not just any any old guy -- a manly man. The rugged, tough type that wrestles grizzly bears and uses undiluted tabasco sauce for mouthwash. A far cry from my teenage girls I usually write. To train my voice to write such a paragon of masculinity, I’ve been studying books with manly characters.

My previous article focused on how these man characters respond to the introduction of a love interest. In this article, I want to look at how they deal with grief, and how their reaction to loss compares to YA heroines in similar situations.


My Top Five Book Picks for 2012

Happy new year everyone! I hope you're all having a restful holiday season. I usually don't review books on this blog, but every New Year's I like to recommend my five favorite books from the  year before (I read these books in 2012, but these books were not necessarily published in the past year). You can see my five picks from 2011 here.

And these are my five picks for this year, in the order that I read them.