Today we have a guest post from Bryan Thomas Schmidt. Bryan runs #SFFWRTCHT (Sci-Fi writer chat), a weekly twitter chat that interviews science fiction and fantasy authors. He blogs about the event's origins here, and today, he shares some tips about how to run social media events.
In late October 2010 at World Fantasy Convention in Columbus, Ohio, I found inspiration for utilizing social media and my past experience in entertainment and journalism to bring authors together to discuss and learn about the craft and business of writing Science Fiction and Fantasy. Knowing I wouldn’t likely attend many conventions the following year, for budget reasons, I decided to bring the panel to us and created SFFWRTCHT, Science Fiction and Fantasy Writer’s Chat. My little idea grew within months to a major platform and has cemented my reputation and network in the industry, leading to opportunities I had only dreamed of. So Livia asked me to blog a bit about how to do a social media event, and I offer the following tips.
On Turnips and Routines
Me: I added something to my novel that I love.
Secretly-Supportive-But-Very-Mischievous-Husband: [Tears eyes from computer screen.] What?
Me: In the second scene when Flick and Kyra eat dinner, he takes the turnips out of his bowl and absentmindedly pushes them to Kyra, and then she EATS THE TURNIPS.
SSBVMH: I see.
Me: That adds like sooooooo much. Do you know like HOW MUCH that adds?
Secretly-Supportive-But-Very-Mischievous-Husband: [Tears eyes from computer screen.] What?
Me: In the second scene when Flick and Kyra eat dinner, he takes the turnips out of his bowl and absentmindedly pushes them to Kyra, and then she EATS THE TURNIPS.
SSBVMH: I see.
Me: That adds like sooooooo much. Do you know like HOW MUCH that adds?
The Psychology of Attraction: Uncertainty
A while back, I was reading a romance. In the story, the girl meets a charming, handsome guy, and things are proceeding as usual. But then, out of the blue, a boy she’d hated for years suddenly kisses her and runs away. ZOMG! I was mildly interested in guy number one, but when guy number two showed up, I really took notice.
Jump cut to another story, where a girl meets an old flame. He's distant, but sometimes shows flashes of interest. As the shared moments continue, I’m avidly turning the pages. Soon, he's actively courting her -- bringing her lunch and supporting her through emotional trauma, and . . . I lose interest.
In both cases, the guy who might have been attracted to the girl was more interesting to me than the guy who definitely was attracted to the girl. Which got me to thinking. What is it about uncertainty and attraction?
Jump cut to another story, where a girl meets an old flame. He's distant, but sometimes shows flashes of interest. As the shared moments continue, I’m avidly turning the pages. Soon, he's actively courting her -- bringing her lunch and supporting her through emotional trauma, and . . . I lose interest.
In both cases, the guy who might have been attracted to the girl was more interesting to me than the guy who definitely was attracted to the girl. Which got me to thinking. What is it about uncertainty and attraction?
Revision Adventures: Building Strong Characters and Emotional Depth
I’m currently revising my manuscript in response to editorial suggestions -- mostly from my agent Jim, but also from feedback I received during my agent search and from my second round of beta readers.
The focus is on increasing emotional and character depth, and I thought I'd share some themes and tips from my revision notes.
1. Relationships should include both tension and harmony
Relationships will be more compelling if they include a balance of conflict and cooperation. For example, my villain is a pretty ruthless guy, but his evil deeds would have more impact if my protagonist (and my readers) believed that he was also capable of good. Therefore, I’m reworking some passages to show his nicer side. Likewise, there’s an “older brother” figure who acts as a emotional anchor. That's all well and good, but making him less unconditionally supportive and more human adds depth to his relationship with my protagonist, and the conflict actually strengthens their emotional bond.
The focus is on increasing emotional and character depth, and I thought I'd share some themes and tips from my revision notes.
1. Relationships should include both tension and harmony
Relationships will be more compelling if they include a balance of conflict and cooperation. For example, my villain is a pretty ruthless guy, but his evil deeds would have more impact if my protagonist (and my readers) believed that he was also capable of good. Therefore, I’m reworking some passages to show his nicer side. Likewise, there’s an “older brother” figure who acts as a emotional anchor. That's all well and good, but making him less unconditionally supportive and more human adds depth to his relationship with my protagonist, and the conflict actually strengthens their emotional bond.
From St. Martins, to Self Publishing, to Amazon: Q&A With Barry Eisler
Barry: My pleasure, Livia, and thanks for having me.
Livia: It's impossible to consider The Detachment without also considering the story behind it. You announced back in March that you had walked away from a half-million-dollar offer from St. Martin's Press to self-publish the book. Then, at BEA in May, you announced that the book would be published instead by Amazon's Thomas & Mercer imprint. Can you tell us a bit more about the unusual path to publication for this book?
How to Self Promote Without Selling Your Soul
Note: **If you see any pop up ads upon entering my site, I apologize and please email me at liviablackburne at gmail dot com. There aren't supposed to be any.***
My parents own an import business, and we often talked about their work around the dinner table. I remember a conversation about “Brian,” one of the sales reps. When Brian first moved into sales from accounting, he had a hard time because he felt like he was forever pushing merchandise onto people. But eventually he began to see his role differently, as a service provider who guided people toward products that matched their needs.
At the time, being my cynical high-school self, my reaction was "Uh huh, whatever makes you feel better, greedy capitalist." But I've been thinking about that conversation recently, after reading Nathan Bransford's recent article on self promotion. The gist of his post is that self-promotion is uncomfortable and somewhat unpleasant, but as a modern author, you have to do it anyways.
Now Nathan has more social media and marketing ninja skills in his left pinky than I could ever hope to obtain, and I can definitely see where he's coming from. It’s hard to step out of your comfort zone and tell people about your book. But whereas many authors see self-promotion as a necessary evil, I actually enjoy it. Perhaps because I'm the daughter of entrepreneurs, perhaps because I'm an only child and attention-monger, or perhaps because my stunted MIT social skills prevent me from realizing when people are annoyed at me.
Whatever the reason, I'd like to present a more sanguine view of self promotion.
My parents own an import business, and we often talked about their work around the dinner table. I remember a conversation about “Brian,” one of the sales reps. When Brian first moved into sales from accounting, he had a hard time because he felt like he was forever pushing merchandise onto people. But eventually he began to see his role differently, as a service provider who guided people toward products that matched their needs.
At the time, being my cynical high-school self, my reaction was "Uh huh, whatever makes you feel better, greedy capitalist." But I've been thinking about that conversation recently, after reading Nathan Bransford's recent article on self promotion. The gist of his post is that self-promotion is uncomfortable and somewhat unpleasant, but as a modern author, you have to do it anyways.
Now Nathan has more social media and marketing ninja skills in his left pinky than I could ever hope to obtain, and I can definitely see where he's coming from. It’s hard to step out of your comfort zone and tell people about your book. But whereas many authors see self-promotion as a necessary evil, I actually enjoy it. Perhaps because I'm the daughter of entrepreneurs, perhaps because I'm an only child and attention-monger, or perhaps because my stunted MIT social skills prevent me from realizing when people are annoyed at me.
Whatever the reason, I'd like to present a more sanguine view of self promotion.
The Psychology of Attraction: Fear
Happy Labor Day! If you haven't looked at the comments in my critique styles post, take a look. People have left quite a few amusing comments. Also, I forgot to mention that the five profiles I posted are actually caricatures of the five members of my critique group. Can you guess which one is me?
I've been reading some articles on the psychology of attraction and thought it'd be interesting to write about ways to attract the opposite sex. As writers, our interest in this is of course strictly academic -- we want to write more realistic romances (right? :-P).
Imagine that you're a young man crossing a rickety suspension bridge. It's not exactly sturdy. It sways and twists in the wind, and there's only a low wire handrail to protect you from the rocks 230 feet below. As you cross, you're approached by an attractive young psychology student. She asks you to fill out a survey and write a short story. After you finish, she tells you that she'd be happy to talk further about the experiment, and then she hands you her phone number.
I've been reading some articles on the psychology of attraction and thought it'd be interesting to write about ways to attract the opposite sex. As writers, our interest in this is of course strictly academic -- we want to write more realistic romances (right? :-P).
Imagine that you're a young man crossing a rickety suspension bridge. It's not exactly sturdy. It sways and twists in the wind, and there's only a low wire handrail to protect you from the rocks 230 feet below. As you cross, you're approached by an attractive young psychology student. She asks you to fill out a survey and write a short story. After you finish, she tells you that she'd be happy to talk further about the experiment, and then she hands you her phone number.
Subscribe to:
Posts (Atom)